威廉·哈维，英国伟大的生理学家和胚胎学家。 田洺，中国科学院科学传播中心主任、中国科学院自动化研究所科学艺术研究中心首席科学家顾问，曾任中国科学院研究生院教授。

Noise, an underground music genre made through an amalgam of feedback, distortion, and electronic effects, first emerged in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational ...(展开全部)

Potent and vividly emotional, Simone de Beauvoir’s captivating novel questions freedom and individual responsibility in the face of brutality ‘These carefree faces, on which we allowed our smiles to spread, were for others the mask of tragedy.’ Jean Blomart, patriot leader against the German forces of occupation, waits throughout an endless night for his wounded lover, Hélène, ...(展开全部)

"Beyond Archigram" is the first study of the prehistory of digital representation to focus on the magazine "Archigram", the magazine published in London irregularly between 1961 and 1970 and the name of the group that created it. "Archigram "is among the most significant phenomena to emerge in post-war architectural culture. The wired environments first advertised on its pages ...(展开全部)

Noise, an underground music genre made through an amalgam of feedback, distortion, and electronic effects, first emerged in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational ...(展开全部)

This is a book about one of the great untold stories of modern cultural life: the remarkable ascendancy of prizes in literature and the arts. Such prizes and the competitions they crown are almost as old as the arts themselves, but their number and power--and their consequences for society and culture at large--have expanded to an unprecedented degree in our day. In a wide-rang...(展开全部)

作者简介 [美]詹姆斯·F. 英格利希，美国文化理论家、文学社会学和数据驱动人文研究方法的领军人物。他目前是宾夕法尼亚大学教授、普莱斯数字人文研究所创始人和主任，曾担任欧洲文化节顾问委员会委员 (2009一2011)、美国国家图书奖小说类评委会主席（2016）等，主要研究领域为文化社会学与经济学、文学研究学科史，及当代英国小说、电影和电视。他正在撰写的《以数计美》(Beauty by the Numbers)研究了当代文学、艺术领域的评级和排名体系。 译者简介 芮小河 西安外国语大学欧美文学研究中心教授，博士生导师，主要研究领域为当代英语文学、文化研究和文艺理论等。 党争胜 西安外国语大学教授，博士生导师，主要研究领域为文学翻译理论和翻译批评研究。

The stories of The Lost Salt Gift of Blood are remarkably simple – a family is drawn together by shared and separate losses, a child’s reality conflicts with his parents’ memories, a young man struggles to come to terms with the loss of his father. Yet each piece of writing in this critically acclaimed collection is infused with a powerful life of its own, a precision of langua...(展开全部)

The stories of The Lost Salt Gift of Blood are remarkably simple – a family is drawn together by shared and separate losses, a child’s reality conflicts with his parents’ memories, a young man struggles to come to terms with the loss of his father. Yet each piece of writing in this critically acclaimed collection is infused with a powerful life of its own, a precision of langua...(展开全部)

The stories of The Lost Salt Gift of Blood are remarkably simple – a family is drawn together by shared and separate losses, a child’s reality conflicts with his parents’ memories, a young man struggles to come to terms with the loss of his father. Yet each piece of writing in this critically acclaimed collection is infused with a powerful life of its own, a precision of langua...(展开全部)